Archive for Music

Rob on Hyperspace

Posted in Astrology, Back to the Future, Black Swan, Blog, Blog post, Carl Jung, Cinema Symbolism, Elizabeth Burnblack, Enochian Magick, Frankenstein, Freemasonry, Gnosticism, Halloween, History, Horror Movies, Illuminati, Kabbalah, Knights Templar, Mysticism, Rosicrucianism, Royal Arch of Enoch, Star Wars, The Occult, Witchcraft with tags , , , , , , , , , , , , on October 31, 2018 by robertwsullivaniv

Join Rob this Friday night, November 2 (All Souls’ Day), when he will be on KCOR Digital Radio on Hyperspace! Program debuts live at 9:00 pm PT (midnight EST). To listen click image:
NewRobHyperspace

Working on Cinema Symbolism 3….

Posted in Blog, Blog post, Cinema Symbolism, Film, Horror Movies, Movies, Symbolism with tags , , , , , , , , on April 7, 2018 by robertwsullivaniv

Here’s a teaser: “Unlike the original film’s and book’s counterpart, Marion Crane survives her experience at the motel in this episode. The iconic shower scene from the original film was duplicated in this episode. However, Sam takes Marion’s place of being the original victim and Norman is not his “Mother” persona when killing him. After Norman kills Sam, he says “Oh, mother, what have I done?” echoing the line “Mother, what have you done?” in Psycho. When Norman kills Sam, Roy Orbison’s (1936-1988) “Crying” (1962) is playing. The music is designed to conjure David Lynch’s film, Mulholland Drive (2001), in which Orbison’s song is performed in Spanish, “Llorando,” by Rebekah Del Rio in Club Silencio. In Lynch’s movie, the song terminates the dream world of Betty Elms (Naomi Watts) returning her to the real world of Diane Selwin (Watts again). In Bates Motel, the use of the song connotes the same thing: Norman becomes cognizant that “Mother” is another side of his personality–a dark vision–and that he has been murdering as her the entire time. Like Mulholland Drive, the music signifies the deconstruction the fantasy, returning the characters–Elms and Bates–back to their bleak realities.”