New Podcast! Listen to Rob discuss Freemasonry, Cinema Symbolism, CERN, and the Mandela Effect on Forbidden Knowledge News! Check it out!
Archive for the Mythology Category
New Podcast! Rob on Forbidden Knowledge News!
Posted in Astrology, Blog, Blog post, CERN, Cinema Symbolism, Disney, Freemasonry, Gnosticism, Illuminati, Magick, Mythology with tags CERN, Cinema Symbolism, EPCOT Center, Film, Forbidden Knowledge News, Freemasonry, Gnosticism, Illuminati, Religion, Robert W. Sullivan IV, The Matrix, Walt Disney, Writing on December 5, 2018 by robertwsullivanivThursday, November 29, 2018: Rob will be Live on Life in the Hologram Radio Show!
Posted in Ancient Aliens, Astrology, Blog, Blog post, Cinema Symbolism, Disney, Elizabeth Burnblack, Enochian Magick, Film, Freemasonry, Gnosticism, Hollywood, Illuminati, Kabbalah, Knights Templar, Matrix, Mysticism, Mythology, Philosophy, Religion, Rosicrucianism, Royal Arch of Enoch, Secret Societies, Supernatural, Symbolism, Walt Disney, Witchcraft, Wizard of Oz with tags A Pact with the Devil, Albert Pike, Cinema Symbolism, Enochian Magick, Freemasonry, Harry Potter, Kubrick, Robert W. Sullivan IV, Royal Arch of Enoch, Star Wars, The Matrix, The Shining on November 24, 2018 by robertwsullivanivJoin Rob when he will be on Life in the Hologram radio show! Program debuts live this Thursday, November 29, 2018 airing on KCOR Digital Radio. Show airs at 12:00 pm (noon) EST (9:00 am PT) and streams globally across the internet; to listen click banner:
Archive: Conspiracy Theories and Unpopular Culture
Posted in Black Swan, Blog, Blog post, Carl Jung, Cinema Symbolism, Freemasonry, Gnosticism, Illuminati, Kabbalah, Mysticism, Mythology, Philosophy, Religion, Royal Arch of Enoch, Stanley Kubrick, Star Wars with tags Cinema Symbolism, Freemasonry, Illuminati, Kubrick, Media, Movies, Occult Symbolism, Robert W. Sullivan IV, Royal Arch of Enoch, Symbolism, Writing on November 19, 2018 by robertwsullivanivRob’s appearance on Issac Weishaupt’s Conspiracy Theories and Unpopular Culture is now stationed on YouTube! Check it out!
Archive: Rob on Swamp Gas
Posted in Blog, Blog post, Education, Egypt, Freemasonry, Gnosticism, History, Knights Templar, Movies, Mysticism, Mythology, Philosophy, Rosicrucianism, Royal Arch of Enoch, Secret Societies, Sorcery, Symbolism, The Occult with tags A Pact with the Devil, Cinema Symbolism, Freemasonry, Mandela Effect, Robert W. Sullivan IV, Royal Arch of Enoch on November 15, 2018 by robertwsullivanivRob’s November 14, 2018, appearance on Swamp Gas is now archived on their website. Listen to Rob talk all his books and the Mandela Effect. To listen click image:
Archive: Rob on Beyond the Veil
Posted in Alchemy, Astrology, Blog, Blog post, Cinema Symbolism, Esoterica, Film, Freemasonry, Gnosticism, Jesuits, Kabbalah, Knights Templar, Movies, Mysticism, Mythology, Royal Arch of Enoch, Symbolism, Uncategorized with tags A Pact with the Devil, Beyond the Veil, Cinema Symbolism, Devil Lamp, Freemasonry, Gnosticism, Luckner Cambronne, Mandela Effect, Robert W. Sullivan IV, Royal Arch of Enoch, The Exorcist, Tonton Macoute on November 8, 2018 by robertwsullivanivDestined to become a classic, Rob’s November 7, 2018 appearance on Beyond the Veil is now stationed on YouTube. Listen to Rob talk Freemasonry, Cinema Symbolism, A Pact with the Devil, and the Mandela Effect. Check it out!
Update: Masonic-Halloween-Illuminati Special
Posted in Alchemy, Astrology, Blog, Blog post, Cinema, Dracula, Elizabeth Burnblack, Film, Freemasonry, Gnosticism, Halloween, History, Hollywood, Illuminati, Kabbalah, Monsters, Movie History, Mysticism, Mythology, Philosophy, Radio, Tarot Cards, The Occult, UFOs, Witchcraft with tags A Pact with the Devil, Cinema Symbolism, Cinema Symbolism 2, Freemasonry, Halloween, History, Movies, Occult, Radio, Religion, Robert W. Sullivan IV, Royal Arch of Enoch, Samhain, Writing on October 30, 2018 by robertwsullivanivRob will be live Halloween night, October 31, 2018, talking Freemasonry, Horror Films, Samhain, and other esoterica with Chris George Zuger on the Den of Lore! Program debuts at 8:00 pm EST and streams via YouTube; to listen click image:
13 May 2018: Excerpt from Cinema Symbolism 3….
Posted in Bible, Blog, Blog post, Cinema Symbolism, Education, Film, Hollywood, Movies, Mysticism, Mythology, Reading, Religion, Sorcery with tags Alfred Hitchcock., Bates Motel, Bible, Cinema Symbolism 3, Psycho, Robert W. Sullivan IV on May 13, 2018 by robertwsullivanivCurrently writing Cinema Symbolism 3. Here is an excerpt (rough draft) for your consideration.
Bates Motel was one of this author’s favorite television series. It aired on the A&E Network for five seasons from 2013 to 2017. The show was a modern retelling of Hitchcock’s Psycho with hardcore Easter eggs turning up during its entire run. The eggs served to pay homage to Hitchcock and Psycho (1960). Psycho is replete with esoteric symbolism, so it is no wonder Bates Motel followed in its footsteps.
(Left) Susanna and the Elders oil painting by either Frans van Mieris the Elder (1635-1681) or Willem van Mieris (1662-1747), Frans’ youngest son. The painting, based on a story from the Bible, shows three men, like Norman Bates, spying on a bathing woman. In the Biblical tale, the men accuse her of erotic blackmail; in Room 1 of the Bates Motel, Norman qua Mother brutally stabs the naked woman. (Right) During Psycho’s climatic grand finale, Norman assumes Susanna’s same posture as he is being subdued by Sam Loomis.
For instance, the oil painting Norman Bates (Anthony Perkins, 1932-1992) uses to cover the secret peephole in the Bates Motel parlor symbolizes his repressed sexuality. Voyeuristically watching Marion Crane (Janet Leigh, 1927-2004), his passion brings jealous “Mother” to life; she, not Norman, seals her fate. The image is a replica of a painting called Susanna and the Elders. It depicts a story from the Bible–Book of Daniel, Chapter 13–in which three old men spy on an innocent woman as she gets ready to bathe, but when they find themselves overcome with passion, they accuse her of sexual blackmail. Later, when he is caught by Sam Loomis (John Gavin, 1931-2018), Norman’s position mirrors Susanna’s from the painting: his clothes are torn while his head is thrown back, and his right arm lifted high in the air. Stripped of his mother’s dress and his cheap wig, Norman is finally seen “naked” for all he is: mother and son, female and male, guilty and innocent.
Copyright Robert W. Sullivan IV, Esq., 2018.
