The smooth stylings of Rob this Saturday night, January 12, 2019, when he returns to Solaris Blueraven’s Witching Hour radio show! Program debuts live at 9:00 pm PT (midnight EST), streaming globally across the internet on Revolution Radio Studio A. To listen click banner:
Archive for the Movies Category
Live Radio: Rob returns to the Witching Hour!
Posted in Alchemy, Ancient Aliens, Bible, Blog, Blog post, Cinema Symbolism, Elizabeth Burnblack, Film, Freemasonry, Gnosticism, Halloween, Illuminati, Knights Templar, Matrix, Movies, Mysticism, Occult Hollywood, Royal Arch of Enoch, Symbolism, Tarot Cards, The Occult, Witchcraft, Wizard of Oz with tags A Pact with the Devil, Cinema Symbolism, Film, Freemasonry, Illuminati, Kubrick, Movies, Occult, Robert W. Sullivan IV, Royal Arch of Enoch, Symbolism on January 9, 2019 by robertwsullivanivRob enters the Spaceboy Universe – Live Radio!
Posted in Alchemy, Blog, Blog post, Carl Jung, CERN, Cinema Symbolism, Film, Frankenstein, Freemasonry, Gnosticism, Horror Movies, Illuminati, Joseph Campbell, Kabbalah, Movies, Mysticism, Mythology, Philosophy, Royal Arch of Enoch, Stanley Kubrick, Star Wars, Symbolism, Tarot Cards, The Occult, Walt Disney, Wizard of Oz with tags A Pact with the Devil, Cinema Symbolism, Harry Potter, Highgate Cemetery, Illuminati, Lucifuge Rofocale, Mandela Effect, Podcast, Robert W. Sullivan IV, Royal Arch of Enoch, Star Wars, The Exorcist, The Matrix, The Warriors on December 12, 2018 by robertwsullivanivRob ends 2018 with an appearance on the Spaceboy Universe! Program debuts live this Saturday night, December 15th, at 10:00 pm EST! To listen to this show click image:
Archive: Rob on Swamp Gas
Posted in Blog, Blog post, Education, Egypt, Freemasonry, Gnosticism, History, Knights Templar, Movies, Mysticism, Mythology, Philosophy, Rosicrucianism, Royal Arch of Enoch, Secret Societies, Sorcery, Symbolism, The Occult with tags A Pact with the Devil, Cinema Symbolism, Freemasonry, Mandela Effect, Robert W. Sullivan IV, Royal Arch of Enoch on November 15, 2018 by robertwsullivanivRob’s November 14, 2018, appearance on Swamp Gas is now archived on their website. Listen to Rob talk all his books and the Mandela Effect. To listen click image:
Rob on Swamp Gas
Posted in Alchemy, Astrology, Back to the Future, Black Swan, Blog, Blog post, Carl Jung, Cinema Symbolism, Elizabeth Burnblack, Film, Freemasonry, Gnosticism, Hollywood, Illuminati, James Bond, Jesuits, Joseph Campbell, Knights Templar, Movies, Philosophy, Rosicrucianism, Royal Arch of Enoch, Secret Societies, Star Trek, Star Wars, Symbolism, Tarot Cards, The Occult, Witchcraft, Wizard of Oz with tags A Pact with the Devil, Cinema Symbolism, Deadwood Publishing, Freemasonry, Illuminati, Kubrick, Mandela Effect, Movies, Religion, Robert W. Sullivan IV, Royal Arch of Enoch on November 12, 2018 by robertwsullivanivThe smooth stylings of Rob this Wednesday night, November 14, 2018, when he will be live on Swamp Gas airing on Black Swamp Digital Radio (Unknown Spirit). Program debuts at 10:00 pm EST; to listen to this show click image:
Archive: Rob on Beyond the Veil
Posted in Alchemy, Astrology, Blog, Blog post, Cinema Symbolism, Esoterica, Film, Freemasonry, Gnosticism, Jesuits, Kabbalah, Knights Templar, Movies, Mysticism, Mythology, Royal Arch of Enoch, Symbolism, Uncategorized with tags A Pact with the Devil, Beyond the Veil, Cinema Symbolism, Devil Lamp, Freemasonry, Gnosticism, Luckner Cambronne, Mandela Effect, Robert W. Sullivan IV, Royal Arch of Enoch, The Exorcist, Tonton Macoute on November 8, 2018 by robertwsullivanivDestined to become a classic, Rob’s November 7, 2018 appearance on Beyond the Veil is now stationed on YouTube. Listen to Rob talk Freemasonry, Cinema Symbolism, A Pact with the Devil, and the Mandela Effect. Check it out!
Archive: Rob on Hyperspace
Posted in Black Swan, Blog, Blog post, Cinema History, Film, Freemasonry, Halloween, Hollywood, Monsters, Movies, Mysticism, Royal Arch of Enoch, Stanley Kubrick, The Occult, Uncategorized, Witchcraft with tags A Pact with the Devil, Cinema Symbolism, Fight Club, Halloween, Halloween III, Movies, Robert W. Sullivan IV, Samhain, September 11 2001, The Shining, The Simpsons, Writing on November 4, 2018 by robertwsullivanivIn case you missed it Rob’s November 2, 2018, appearance on Hyperspace is now archived. Listen to Rob talk September 11, 2001 and its nexus to Spies Like Us, The Simpsons, and Fight Club. Rob also talks horror films and the mystical holiday of Halloween. To listen click banner:
13 May 2018: Excerpt from Cinema Symbolism 3….
Posted in Bible, Blog, Blog post, Cinema Symbolism, Education, Film, Hollywood, Movies, Mysticism, Mythology, Reading, Religion, Sorcery with tags Alfred Hitchcock., Bates Motel, Bible, Cinema Symbolism 3, Psycho, Robert W. Sullivan IV on May 13, 2018 by robertwsullivanivCurrently writing Cinema Symbolism 3. Here is an excerpt (rough draft) for your consideration.
Bates Motel was one of this author’s favorite television series. It aired on the A&E Network for five seasons from 2013 to 2017. The show was a modern retelling of Hitchcock’s Psycho with hardcore Easter eggs turning up during its entire run. The eggs served to pay homage to Hitchcock and Psycho (1960). Psycho is replete with esoteric symbolism, so it is no wonder Bates Motel followed in its footsteps.
(Left) Susanna and the Elders oil painting by either Frans van Mieris the Elder (1635-1681) or Willem van Mieris (1662-1747), Frans’ youngest son. The painting, based on a story from the Bible, shows three men, like Norman Bates, spying on a bathing woman. In the Biblical tale, the men accuse her of erotic blackmail; in Room 1 of the Bates Motel, Norman qua Mother brutally stabs the naked woman. (Right) During Psycho’s climatic grand finale, Norman assumes Susanna’s same posture as he is being subdued by Sam Loomis.
For instance, the oil painting Norman Bates (Anthony Perkins, 1932-1992) uses to cover the secret peephole in the Bates Motel parlor symbolizes his repressed sexuality. Voyeuristically watching Marion Crane (Janet Leigh, 1927-2004), his passion brings jealous “Mother” to life; she, not Norman, seals her fate. The image is a replica of a painting called Susanna and the Elders. It depicts a story from the Bible–Book of Daniel, Chapter 13–in which three old men spy on an innocent woman as she gets ready to bathe, but when they find themselves overcome with passion, they accuse her of sexual blackmail. Later, when he is caught by Sam Loomis (John Gavin, 1931-2018), Norman’s position mirrors Susanna’s from the painting: his clothes are torn while his head is thrown back, and his right arm lifted high in the air. Stripped of his mother’s dress and his cheap wig, Norman is finally seen “naked” for all he is: mother and son, female and male, guilty and innocent.
Copyright Robert W. Sullivan IV, Esq., 2018.
