New podcast! Listen to Rob talk Cinema Symbolism and all sorts of esoteric topics on Richard Syrett’s Conspiracy Unlimited! To listen click image:
Archive for the Education Category
New Podcast! Rob on Richard Syrett’s Conspiracy Unlimited!
Posted in Back to the Future, Batman, Black Swan, Blog, Blog post, Carl Jung, Cinema Symbolism, Education, Freemasonry, Gnosticism, Illuminati, James Bond, Stanley Kubrick, Star Wars, Symbolism, The Occult, Wizard of Oz with tags Cinema Symbolism, Freemasonry, Kubrick, Movies, Podcasting, Robert W. Sullivan IV, Star Wars, The Matrix, The Shining on February 4, 2019 by robertwsullivanivNew show! Rob on the MythVision Podcast!
Posted in Astrology, Bible, Blog, Blog post, Cinema Symbolism, Education, Freemasonry, Gnosticism, Jesuits, Kabbalah, Knights Templar, Mysticism, Mythology, Philosophy, Religion, Royal Arch of Enoch, The Occult, Wizard of Oz with tags A Pact with the Devil, Astrology, Astrotheology, Cinema Symbolism, Freemasonry, History, Royal Arch of Enoch, Rpbert W. Sullivan IV, Society of Jesus, Wizard of Oz on January 19, 2019 by robertwsullivanivEveryone’s favorite Freemason is back! Rob joins Luther and Derek on the MythVision podcast! Listen to Rob talk Freemasonry, the Royal Arch of Enoch, the Jesuits, the English Civil War, Astrotheology, the Wizard of Oz and much more! Check it out!
Fraternal Review Magazine
Posted in Blog, Blog post, Christianity, Cinema Symbolism, Education, Film, Freemasonry, Hollywood, Symbolism with tags Cinema Symbolism, Fraternal Review, Freemasonry, Kipling, Rpbert W. Sullivan IV, The Man Who Would Be King on November 28, 2018 by robertwsullivanivRob returns to the November 2018 edition of Fraternal Review Magazine analyzing the esoteric-Masonic symbolism of the motion picture, The Man Who Would Be King (1975), based on Kipling’s 1888 novella. Excerpts from Cinema Symbolism 2 – to purchase the magazine click image:
Archive: Rob on Swamp Gas
Posted in Blog, Blog post, Education, Egypt, Freemasonry, Gnosticism, History, Knights Templar, Movies, Mysticism, Mythology, Philosophy, Rosicrucianism, Royal Arch of Enoch, Secret Societies, Sorcery, Symbolism, The Occult with tags A Pact with the Devil, Cinema Symbolism, Freemasonry, Mandela Effect, Robert W. Sullivan IV, Royal Arch of Enoch on November 15, 2018 by robertwsullivanivRob’s November 14, 2018, appearance on Swamp Gas is now archived on their website. Listen to Rob talk all his books and the Mandela Effect. To listen click image:
Coming Soon: Rob on Zain Khan Live!
Posted in Bible, Blog, Blog post, Education, Freemasonry, Gnosticism, History, Illuminati, Knights Templar, Philosophy, Religion, Royal Arch of Enoch, Symbolism, The Occult with tags Freemasonry, History, Illuminati, Religion, Robert W. Sullivan IV, Rosicrucianism, Symbolism, United States on October 19, 2018 by robertwsullivanivComing Soon: Rob will be a guest on Zain Khan Live discussing Freemasonry and The Royal Arch of Enoch. Here’s a preview:
NHK Japanese World Television
Posted in Blog, Blog post, Education, Freemasonry, History with tags A Pact with the Devil, Albert Einstein, Cinema Symbolism, Cinema Symbolism 2, Einstein's Brain, Freemasonry, Japan, NHK, Robert W. Sullivan IV, Royal Arch of Enoch on May 20, 2018 by robertwsullivanivComing summer 2018: Rob on NHK Japanese World Television…..stay tuned!
13 May 2018: Excerpt from Cinema Symbolism 3….
Posted in Bible, Blog, Blog post, Cinema Symbolism, Education, Film, Hollywood, Movies, Mysticism, Mythology, Reading, Religion, Sorcery with tags Alfred Hitchcock., Bates Motel, Bible, Cinema Symbolism 3, Psycho, Robert W. Sullivan IV on May 13, 2018 by robertwsullivanivCurrently writing Cinema Symbolism 3. Here is an excerpt (rough draft) for your consideration.
Bates Motel was one of this author’s favorite television series. It aired on the A&E Network for five seasons from 2013 to 2017. The show was a modern retelling of Hitchcock’s Psycho with hardcore Easter eggs turning up during its entire run. The eggs served to pay homage to Hitchcock and Psycho (1960). Psycho is replete with esoteric symbolism, so it is no wonder Bates Motel followed in its footsteps.
(Left) Susanna and the Elders oil painting by either Frans van Mieris the Elder (1635-1681) or Willem van Mieris (1662-1747), Frans’ youngest son. The painting, based on a story from the Bible, shows three men, like Norman Bates, spying on a bathing woman. In the Biblical tale, the men accuse her of erotic blackmail; in Room 1 of the Bates Motel, Norman qua Mother brutally stabs the naked woman. (Right) During Psycho’s climatic grand finale, Norman assumes Susanna’s same posture as he is being subdued by Sam Loomis.
For instance, the oil painting Norman Bates (Anthony Perkins, 1932-1992) uses to cover the secret peephole in the Bates Motel parlor symbolizes his repressed sexuality. Voyeuristically watching Marion Crane (Janet Leigh, 1927-2004), his passion brings jealous “Mother” to life; she, not Norman, seals her fate. The image is a replica of a painting called Susanna and the Elders. It depicts a story from the Bible–Book of Daniel, Chapter 13–in which three old men spy on an innocent woman as she gets ready to bathe, but when they find themselves overcome with passion, they accuse her of sexual blackmail. Later, when he is caught by Sam Loomis (John Gavin, 1931-2018), Norman’s position mirrors Susanna’s from the painting: his clothes are torn while his head is thrown back, and his right arm lifted high in the air. Stripped of his mother’s dress and his cheap wig, Norman is finally seen “naked” for all he is: mother and son, female and male, guilty and innocent.
Copyright Robert W. Sullivan IV, Esq., 2018.
